This is how you destroy people's dignity and make them yours, Scorsese seems to say.

~ Anne-Katrin Titze -

This is how you destroy people's dignity and make them yours, Scorsese seems to say.

~ Anne-Katrin Titze -

Inevitably, not all of this works, but there is rarely a dull moment.

~ Amber Wilkinson -

Inevitably, not all of this works, but there is rarely a dull moment.

~ Amber Wilkinson -

This is an extraordinary film. De Niro in the central role delivers one of those powerhouse performances that simply blows the audience away.

~ Jennie Kermode -

This is an extraordinary film. De Niro in the central role delivers one of those powerhouse performances that simply blows the audience away.

~ Jennie Kermode -

It looks as if Scorsese is battling his own demons, oblivious of the pain he inflicts upon an unsuspecting audience

~ Angus Wolfe Murray -

It looks as if Scorsese is battling his own demons, oblivious of the pain he inflicts upon an unsuspecting audience

~ Angus Wolfe Murray -

Even when one has a rough idea of where this mystery thriller is headed, the devil is in the detail, and each turn of the screw is handled with the sort of deft craftsmanship that becomes a pleasure unto itself.

~ Anton Bitel -

Even when one has a rough idea of where this mystery thriller is headed, the devil is in the detail, and each turn of the screw is handled with the sort of deft craftsmanship that becomes a pleasure unto itself.

~ Anton Bitel -

Not a film about lyrics. Not a documentary about these extraordinary long careers. Just a big, brilliant concert.

~ Chris -

Not a film about lyrics. Not a documentary about these extraordinary long careers. Just a big, brilliant concert.

~ Chris -

De Niro’s renowned devotion to the art of acting has never been so tested as it is here.

~ Robert Munro -

De Niro’s renowned devotion to the art of acting has never been so tested as it is here.

~ Robert Munro -

Meandering through several hours of archive footage, interviews and concerts, Scorsese presents Dylan not as a hero but as a man.

~ Chris -

Meandering through several hours of archive footage, interviews and concerts, Scorsese presents Dylan not as a hero but as a man.

~ Chris -

A powerful experience, brimming with raw talent.

~ Stephen Carty -

A powerful experience, brimming with raw talent.

~ Stephen Carty -

Mathison's deep concern to honour the project with perfect truth lacks objectivity.

~ Angus Wolfe Murray -

Mathison's deep concern to honour the project with perfect truth lacks objectivity.

~ Angus Wolfe Murray -

It is Scorsese at his, one hesitates to say peak, but absolute.

~ Andrew Robertson -

It is Scorsese at his, one hesitates to say peak, but absolute.

~ Andrew Robertson -

Scorsese shoots at what is truly important in life and does so, miraculously, by putting the spotlight on organised crime

~ Anne-Katrin Titze -

Scorsese shoots at what is truly important in life and does so, miraculously, by putting the spotlight on organised crime

~ Anne-Katrin Titze -

referential re-enactments of everything from Harold Lloyd to Fritz Lang will massage the ego of the informed but like most modern remakes, these scenes lack the heart and soul of their inspirations, and aren't imaginative or exciting enough out of context

~ David Graham -

referential re-enactments of everything from Harold Lloyd to Fritz Lang will massage the ego of the informed but like most modern remakes, these scenes lack the heart and soul of their inspirations, and aren't imaginative or exciting enough out of context

~ David Graham -

This is Scorsese at the top of his game.

~ Stephen Carty -

This is Scorsese at the top of his game.

~ Stephen Carty -

The acting is ensemble, which means no-one stands out and everyone chips in. Day-Lewis, unrecognisable behind a 'tache wedge, is the most memorable, due to The Butcher being a bigger sicko than anyone else.

~ Angus Wolfe Murray -

The acting is ensemble, which means no-one stands out and everyone chips in. Day-Lewis, unrecognisable behind a 'tache wedge, is the most memorable, due to The Butcher being a bigger sicko than anyone else.

~ Angus Wolfe Murray -

After messy, overblown mishaps like Gangs Of New York, the maestro of Mean Streets is back. With a vengeance.

~ Angus Wolfe Murray -

After messy, overblown mishaps like Gangs Of New York, the maestro of Mean Streets is back. With a vengeance.

~ Angus Wolfe Murray -

[Casino] will dazzle and seduce you. The stand-out performance belongs to Stone.

~ Nick Jones -

[Casino] will dazzle and seduce you. The stand-out performance belongs to Stone.

~ Nick Jones -

The movie resembles ER on speed. The hospital... is like a war zone.

~ Angus Wolfe Murray -

The movie resembles ER on speed. The hospital... is like a war zone.

~ Angus Wolfe Murray -

The Aviator is a beautiful picture with flawless performances, wonderful cinematography and extravagant mise-en-scene.

~ Josh Morrall -

The Aviator is a beautiful picture with flawless performances, wonderful cinematography and extravagant mise-en-scene.

~ Josh Morrall -

Scorsese's direction isn't showy but he keeps his camera fluid, giving scenes a sense of movement even when the characters are static.

~ Amber Wilkinson -

Scorsese's direction isn't showy but he keeps his camera fluid, giving scenes a sense of movement even when the characters are static.

~ Amber Wilkinson -